Lost Villages

One of my most read blog posts is the of the lost village of Ravenser Odd, a town once situated at the southernmost tip of the Holderness coast in East Yorkshire. Since it has proved most popular I thought I would give you a taste of a couple of the other thirty or so lost villages along that coastline.

erosion map (1)

Map of the Holderness Coast showing the lost villages

Owthorne and The Sister Churches

The story of Owthorne and its church comes to the fore to illustrate the almost surreal events that occasionally happened when the sea claimed the land.

Owthorne was a small village just north of Withernsea. In the centre of the village was the church, known as one of the Sister Churches. Two sisters owned the manors of Owthorne and Withernsea. Since the two manors ran side by side, they decided to build a church where their tenants could worship. The site of Owthorne Church was agreed upon and building commenced. It was only when the church had reached a certain height that discord between the sisters set in. One wished to adorn the church with a tower and the other to ornament it with a spire.

Square or Pointy? That is the question.

Finally the sisters decided that they would each build a church – one in Withernsea and one in Owthorne – in the design to which they each aspired. For ever after, the churches were known as the Sister Churches but no spire ever graced either church.

Whatever the circumstances of its origin, there is no doubt that the church at Owthorne was constantly under threat from the sea. Originally sited in the centre of the village, as the sea ate away the foot of the cliffs, the church at the top became a cliff-hanger:

‘standing like a solitary beacon on the verge of the cliff’.

By 1786 the church itself was only 12 yards from the cliff and the sea began its work on the churchyard. The villagers and their vicar made plans. In 1793 the chancel was demolished and six years later the rest of the church was partially demolished. It was not until a particularly violent storm in the early years of the 19th century that the remains fell with a crash into the sea.

Whitened bones and coffins landed on the beach and, it is said, that the villagers meandered sorrowfully among these relics, even recognising some of their erstwhile buddies although quite how one recognises a skeleton is a trifle difficult to imagine. It took 15 days of grisly work to collect up the relics, hopefully matching owners and bones correctly, before taking them for reburial to a new churchyard at Rimswell.

gravestone - henry.jpg

In 50 years the villagers of Owthorne saw the church and churchyard, vicarage, houses and streets disappear over the cliffs until almost nothing of their village remained. The second church in Withernsea fell into ruins by the late 19th century and was replaced by the parish church of St Nicholas.

Old Kilnsea

Further down the coast was once the village of Old Kilnsea – called Chilnesse in the Domesday Book. At that time it was several miles inland and established on a hill. Houses and cottages with gardens were clustered around the Medieval church; there was a village pond and green as well as numerous small fields. On the village green stood a large stone cross which was originally taken from the ancient and lost town of Ravenser where it had been erected to commemorate the landing of Henry VI in 1399. It was removed to Old Kilnsea when the sea swallowed up Ravenser. Eventually though, the sea worked its mischief in Old Kilnsea and the cross was removed altogether to safer ground.

By the early 19th century the village was under attack. In 1822 it comprised the church and around 30 houses. 30 years later only a handful of houses and the foundations of the church remained; by 1912 all had gone.

In 1824 the chancel went over the cliff and a couple of years later a huge storm took the north wall, pillars, arches, pulpit, reading desk and books right over the cliff ‘with a tremendous crash’. The tower held out for another couple of years before finally following the rest of the church into the sea.

After the loss of the church, Abbot Geoffrey de Sawtry describes Kilnsea religious observance thus:

‘… This is therefore another churchless village; but having a population of nearly two hundred, they have set apart a room for divine service, in which it is performed every third Sunday, weather permitting; otherwise, it is reported, the worthy pastor, feeling for his flock, grants them an indulgence to remain indoors and takes the same himself.’

The church bell was suspended from a beam in a stack yard and struck by throwing stones at it to call the faithful to their improvised place of worship.

Eventually Kilnsea was resettled to the west. During the First World War a small fort and gun battery was established at ‘new’ Kilnsea but these too have gone the way of the old village. The resettled village is still being chased further inland by the sea.

battery 10

Remains of the Fort and Battery at Kilnsea

battery 7

You can read more in my book ‘Close to the Edge – Tales from the Holderness Coast’ which is an eclectic mix of stories from this remarkable stretch of coastline

Gainsthorpe – A Village Lost in Time

You may wonder why I’m posting pictures of fields full of lumps and bumps but be patient …

 

Do you know what it is yet? Does this help?

gainsthorpe_medieval_village_research_1

(Photo: English Heritage Library©)

These are photos of Gainsthorpe deserted village in Lincolnshire – one of the best preserved in the realm of deserted mediaeval villages in England.

The village is noted in the Domesday Book; later, in 1208 a windmill and a chapel were recorded but the last mention of its name was 1383. 17th century records refer to well- preserved earthworks with a couple of hundred houses and up to half a dozen streets.

It was an irregularly planned village, much of which has now been lost to farming and quarrying, but once was a thriving medieval settlement of small houses  – one or two-roomed – built of stone.  Each house was separated from its neighbour by a low bank with plots at the front – ‘tofts’ – which would have had buildings or workshops. At the back of each house was a ‘croft’ – a garden for growing vegetables and fodder. Streets ran between the houses and field strips for growing crops surrounded the whole village.

roadway with boundaries of tofts n' crofts

Sunken roadway

Over time the village changed as villages do and there are indications of the merger of some of the houses into larger ones which surround a courtyard. The experts believe this to indicate a shift in farming practices and the development of a manorial complex with a home farm complete with fishpond and dovecotes.

Today the streets look like deep tracks behind which are the remains of the houses, indicated by their low turf foundations. The field strips have been lost to later ploughing.

sunkenroadway with house foundations to the sides

SO WHAT HAPPENED?

The simple answer is we don’t really know. We do know from an early 17th century source that the village was already deserted by 1616:

 ‘there is nowe neyther tofte, tenemente or cottage standinge… it keepes neer 1500 sheepe.’

Other villages nearby suffered from the outbreak of the Black Death – the plague that ran amok in England in the 1340’s. Perhaps that contributed to the village’s demise. Deliberate depopulation is also a possibility when landowners forced out their tenants and used the land for the more lucrative sheep farming.

One theory offered by antiquarian Abraham de la Pryne in the late 17th century was:

Tradition says that the town was, in days of yore, exceeding famous for robberys, and that nobody inhabited there but thieves: and that the countrey, having for a long while endur’d all their villanys, they at last, when they could suffer them no longer, riss [rose] with one consent, and pulled down the same about their ears.”

He then concludes with a more prosaic explanation:

“But I fancy the town was eaten up with time, poverty and pasturage.”

I fancy he is correct.

 

E-Day for “Close to the Edge – Tales from the Holderness Coast”

Tomorrow the Kindle version of my history/travel book becomes available on Amazon. The Paperback is already out and some lovely people have bought it – more than I anticipated since I don’t really get into the marketing swing until 10 August when I’m back in the UK.

I thought I’d share some of the marketing ideas that I’ve put together and the responses I’ve had to them -bear in mind that this is a non-fiction book and likely to have a limited audience.

1. I’ve had A5 posters made of the cover. I spent ages agonising over the size of these – naturally I thought the bigger the better. However, the posters are going to library, museum, visitor centre and supermarket notice boards in the towns and villages down the coast that feature in the book. The decision about size was taken on the basis that there is always pressure for space and it’s far easier to remove a large poster to make more space.

2. I’ve been fortunate enough to have articles published in a number of regional magazines and I approached the editors to see whether they would review the book. As all have agreed to do so a copy is winging its way to each of them.

3. I’ve used social media to a limited extent mainly because I don’t want to put folk into a catatonic state as I rabbit on. Creative1 publishing – the company that formatted the e-book has offered to do a number of tweets about it for me and of course I use this blog, Facebook and Twitter. In addition I’ve uploaded a number of the photos from the book as well as some that didn’t make it to Pinterest – www.pinterest.com/sheila0661/close-to-the-edge and I’ll be adding to the Board over the next few weeks.

First Spurn Lighthouse later used for storing explosives.

First Spurn Lighthouse later used for storing explosives.


4. I’ve approached the local radio station to see whether they would be interested in running a short piece as well. So far, the air waves are silent.

5. I now regularly follow some of the local newspapers to pick up any snippets of news relating to the area I’ve written about. This enables me to contribute to any debate or news item on-line without overtly touting the book.

I find, like many independent publishers/authors, that marketing is just not my thing. I shrink from banging on too much about The Book and don’t find it easy to “naturally” mention it in both on-line and direct conversations. When I’m back in the UK I’m going to a couple of independent bookshops in the area to see whether they would take the book on and that fills me with some trepidation too…and I’m not normally what you might describe as a shrinking violet. I can’t quite put my finger on why this is just yet so I’ve tried to adopt the attitude – “if you don’t ask – you’ll never get”. I also keep asking myself – “What’s the worst that could happen?” and have (perversely) rather pleasurable moments thinking up the most horrifying answers. It helps to soothe the fears.

So this is where I’m at right now. Saturday 1 August is E-Day for “Close to the Edge – Tales from the Holderness Coast” – it’s also Yorkshire Day so it seems fitting. Breath is baited!

At Last!!

Close_to_the_Edge_Cover_for_Kindlejpg (2)
It’s all over bar the marketing. The paperback is up on Amazon and the e-book shortly follows – “Close to the Edge – Tales from the Holderness Coast” is a reality. It’s taken around two years to get to this point and the final product is not a bit like my original idea. Perhaps that’s inevitable and I’m happy that it’s so.

There are lots of questions to ask myself when I have time to reflect a little; four big ones come to mind:
Was it worth it?
Would I do it again?
What would I do differently?
What have I learned from the experience?

Perhaps in another blog I’ll share my reflections with you. For now, I’m putting my rather sketchy marketing plan in place and I’ll be back in the UK at the end of the month to drum up some interest…well try to at any rate.
In the meantime if any of you kind souls are interested in an eclectic and occasionally irreverent history of a unique stretch of English coastline, toddle along to Amazon and have a peek.

Here’s the link (I hope) and all reviews of whatever ilk will be much appreciated.

Close to the Edge – Tales from the Holderness Coast

I’m Almost There!

Almost where? I hear you ask. Answer – ready to upload “Close to the Edge – Tales from the Holderness Coast” which, at the risk of driving you into mild catalepsy is my local history book about the East Coast of Yorkshire.

The Holderness Coast, East Yorkshire

The Holderness Coast, East Yorkshire

The book has taken around 18 months of research, writing and faffing, including an abortive sojourn at a publishing house (for which, if I’m honest I still bear a grudge). On reflection a good lump of that time was taken up with editing, copy reading, obtaining permissions/rights and I still worry that someone will find a typo.

On doing yet another re-read last night it was good to remember how many people and organisations have indirectly contributed – not in the least local museums and libraries. I know these invaluable institutions are under threat from “austerity measures” in the UK so I wanted to use this space to give a shout to some of them and urge anyone looking to spend a bit of time on this eroding coastline to go and visit.

So roll of honour:

Hornsea Museum situated in an old farmhouse in the centre of the town. Don’t be deceived by the apparent smallness of the building – it takes a good while to get round and is packed full of great exhibits. (Sorry Hornsea Museum – I don’t have a photo of you.)

Withernsea Lighthouse Museum – situated – yes you’ve guessed it in Withernsea. It stands, a little incongruously in the middle of the town and has some interesting coastguard and RNLI displays and selections of old photographs relating to local history.

Withernsea Lighthouse and Museum

Withernsea Lighthouse and Museum

The Bayle Museum in Bridlington is located in the old gateway to Bridlington Priory, itself a victim of his royal humpingness, Henry VIII. It is dedicated to the history of the town of Bridlington.

The Bayle Gate, Bridlington

The Bayle Gate, Bridlington


All three museums give a great flavour of times past on the coast and are open now, for the season. Check websites for details.

In addition to the museums I made shameless use of three libraries when researching “Close to the Edge” – these were Hornsea, Bridlington and Beverley libraries. Since libraries seem to be becoming endangered species I’d just like to say that without their helpful staff and the ability to plunder their resources I wouldn’t have been able to write “Close to the Edge.” Thank you one and all.

Close to the Edge – Tales from the Holderness Coast is scheduled for publication as an e-book on 1 June and will be available from Amazon – that is gremlins permitting.

Sneak Preview

Today I thought I’d let you have a look at some of the photos used in my forthcoming book – Close to the Edge – Tales from the Holderness Coast.

For those of you who don’t know the area (or even the country – UK that is) the Holderness Coast is a strip of East Yorkshire coastline that has both a remarkable past and an uncertain future. The problem is coastal erosion which has seen more than 30 villages and settlements disappear or “gone back to the sea” and the erosion continues today.

Close to the Edge is an eclectic and sometimes irreverent collection of tales about people, places and events along the coastline.

Have a peek at some of the photos taken by my co-conspirator in this enterprise – June Berridge.

Ruins of WW1 Fort Godwin at Kilnsea, East Yorkshire

Ruins of WW1 Fort Godwin at Kilnsea, East Yorkshire

Where'd the road go? Aldbrough, East Yorkshire

Where’d the road go? Aldbrough, East Yorkshire

Remains of wartime observation post tipped over the cliff onto Mappleton beach

Remains of wartime observation post tipped over the cliff onto Mappleton beach

Close to the Edge? Close to Meltdown!

Long time no write! Since my last post I’ve been eagerly awaiting a verdict from the publisher about my book Close to the Edge. Finally, after getting all excited and talking turkey with the publisher, I get it kicked back with a comment that as they’re going to publish another book about East Yorkshire, they don’t want to take on a second one until sales figures are in. Did it really have to take eight weeks for them to tell me this? So after a week sticking pins in my voodoo doll, I’ve recovered my equilibrium and am on the move with the first version of the book – a Kindle version.

The Holderness Coast in days of yore

The Holderness Coast in days of yore

The book has a great selection of images both old and new (you’ll probably have to magnify this one to see it clearly) and I’ve learned that copyright is a minefield even for items that are over the prescribed time limits. I’ve spent so much time trying to track down owners, owners relatives, owners best friends and owners dog called Poochie that I’m beginning to think it isn’t worth the candle to include anything other than my own images. Still, ’tis done now as best I could.

I’ll by posting some of the images that didn’t make it into the book over on Pinterest – look for the Board called Close to the Edgeand over the next few weeks I’ll add to it. I’m also going to be making a few short clips for youtube so watch out for those as well.

So lots of final details to deal with whilst at the same time, I’m pressing on with a selection of spooky short stories – four written and three to go…oh and of course celebrating the anniversary of my first year in France (any excuse for a party). Suffice it to say I came, I saw and was conquered. It’s definitely home now.

Labour Pains II

Approaching the end of the editing process for my book Close to the Edge, have my witterings in my last blog been justified?
Emphatically not!

So far, Caroline Chadderton, my editor has combed through my typos, inconsistencies and bits of burbling with tact and zeal. No blood has been spilled; no tears shed. Instead her comments have been both insightful and helpful. What is particularly spooky is how she picked up on points where I felt some unease-such as my predilection for using modern slang and idioms at inappropriate moments. The objectivity she has brought has also increased my ability to see things from the reader’s viewpoint and hence improve my explanations of certain events and issues.

She has yet to do the final formatting and let me have her final comments but all in all this has been a powerful experience and one definitely worth considering if you are going down the self-publishing route.

The next steps are to wrap up the permissions for photos and quotes which so far has been a bit fraught as I struggle to ensure I don’t infringe anyone’s copyright. Then there are the photos to caption, acknowledgements to make and finally uploading it all to Createspace. Oh yes, then there’s a pricing policy and a marketing strategy to work out. In between, there’s a quick trip back to the UK and I’ll try to finish my next Mag. Op. – a collection of spooky short stories. That’s me stitched up for the next three months. Christmas? What’s Christmas precious?

Labour Pains

Prolonged birthday celebrations mean I’ve been somewhat tardy in attending to this blog nevertheless I’ve not been entirely lost in jollity. I’ve started on what I hope will be the last twiddle phase of my book Close to the Edge.

I finally came to a decision about professional editing and have entrusted the book to a pro. How much she will slice and dice is yet to be seen but I confess, I await her verdict with some trepidation. In coming to this decision – to edit or not to edit – I read up on others’ experiences and talked to a few trusted friends and even to a “proper” author who lives here in the village. Opinion was divided but there was one area where agreement was reached –the number of poorly presented, formatted and copy-edited e-book offerings that are out there and that’s before the quality of the writing is put to the test. Even I, a late-comer to reading ebooks , have noticed this. I would say about 10-12% of those I’ve downloaded fall into the category of poor presentation with typos, photos that move from one page to another, confusion over homonymic words and so on.

I don’t want to fall into this category and even though I’ve combed my mss umpteen times I still pick up the odd error or the desire to tweak a paragraph here and there so perhaps professional copy-editing is essential. However, I’ve gone for the Full Monty to include textual/structural editing. It’s a more subjective element and I wonder how and how well I’ll manage the feedback.
Already I’m picking over the one piece of feedback I’ve had so far – and that is only based on a read through of the first and last chapters so that the poor lady could give me an idea of cost.

“You write with fluency and authority” she observed. Like a cat on a mouse I pounced on the words. Is that good? Or does she really mean I waffle on and sound like a bossy know-it-all? I’ve turned her words inside out and upside down to understand her “true” meaning. Why can’t I take them at face value? Shades of my schooldays when Miss Grey, my teacher, returned the obligatory weekly essay, garnished with red ink, with the comment – “Sheila you have let your imagination overrule the necessity for neat hand-writing and attention to punctuation.”
Have I spent the better part of a year only to turn out a pile of goose-poo? Would I be better taking up underwater-knitting? What do I do if I receive negative feedback or suggestions for changing parts of the book? Do I change them?

The obvious answer is…it’s my book therefore it’s my choice…and yet.

I’ve paid a lump out of a limited budget to someone who is well-established in her field with a list of credits a mile long, particularly for non-fiction. How confident would I feel about ignoring her opinions? Answer – I don’t know. In most areas of my life I’m a pretty confident cookie, but with my writing – it’s the opposite. Generally I shrink from exposing the waffling of an over-taxed brain to anyone – it is a miracle akin to the wine and water trick that I’ve had anything published at all. I’m guessing it’s the same for many writers.

So over the next few weeks this blog will be less about adventures in France. Instead, I shall be sharing the pains, the labour pains if you will, of the editing process and hopefully you’ll be in on The Birth of this masterpiece around Easter next year.

Close to the Edge

Close to the Edge

Storms, Surges and Floods

The storm surges of yesterday created wide-spread flooding all along the east coast of England. Last night the villagers of Kilnsea, a village on the edge of the Holderness coast near Spurn Head, were advised to evacuate their homes.

Kilnsea, low-lying, exposed to the elements and manna to a hungry North Sea was, according to the Domesday Book, originally  established on a hill and an inland village some distance from the sea. Later descriptions tell us of a scattering of cottages with gardens clustered around the Medieval church. On the village green stood a large stone cross originally taken from the ancient and lost town of Ravenser. It had been erected there to commemorate the landing of Henry VI in 1399 but was removed to Kilnsea when the sea took that town.

Eventually though, the sea worked its mischief in Kilnsea and by the early 19th century the village was under attack. In 1822 the village comprised the church and around 30 houses; thirty years later only a handful of houses and the foundations of the church remained and by 1912 all these had gone.

The indefatigable walker and writer, Walter White, gives us an account of his visit to the village in 1861* when he stopped off for a pint or two at the Crown and Anchor pub and learned something of the village’s history:

The place itself has a special interest, telling, so to speak, its own history—a history of desolation. The wife, pointing to the road passing between the house and the beach, told me she remembered Kilnsea church standing at the seaward end of the village, with as broad a road between it and the edge of the cliff. But year by year, as from time immemorial the sea advanced, the road, fields, pastures, and cottages were undermined and melted away. Still the church stood, and though it trembled as the roaring waves smote the cliff beneath, and the wind howled around its unsheltered walls, service was held within it up to 1823. In that year it began to yield, the walls cracked, the floor sank, the windows broke; sea-birds flew in and out, shrieking in the storm, until, in 1826, one-half of the edifice tumbled into the sea, and the other half followed in 1831. The chief portion of the village stands on and near the cliff, but as the waste appears to be greater there than elsewhere, houses are abandoned year by year.

Kilnsea exists, therefore, only as a diminished and diminishing parish, and in the few scattered cottages near the bank of the Humber. The old font was carried away from the church to Skeffling, where it is preserved in the garden of the parsonage.

Another writer (Geoffrey de Sawtry) notes rather waspishly that in this now churchless village:

“they have set apart a room for divine service, in which it is performed every third Sunday, weather permitting; otherwise, it is reported, the worthy pastor, feeling for his flock, grants them an indulgence to remain indoors and takes the same himself’.”

When the weather did permit, the faithful were called to their improvised place of worship by the church bell which was suspended from a beam in a stack yard and struck by throwing stones at it.

Even though Kilnsea has resettled itself to the west it is still being chased further inland by flooding and by the sea. I hope that despite last night’s depredations everyone at risk anywhere along the coast kept safe.

(*A Month in Yorkshire by Walter White)